Monday, March 15, 2021

How to write a long form tv drama essay

 How to write a Long Form TV Drama essay (900 words)


3* ‘Representations of social, cultural and historical events can vary within long form television dramas from different countries.’ Discuss how and why audiences might respond to and interpret these representations differently.

In your answer you must:
·         consider the contexts in which long form television dramas are produced and consumed
·         explain how media contexts may have influenced different aspects of realism and audience response in the set episodes of the two long form television dramas you have studied
·         make judgements and reach conclusions about the differences in realism of social, cultural and historical circumstances between the two set episodes.

Paragraphs
Stranger Things
D83
Intro
·         Reverse the question
·         Define the representations you are going to look at.


1
·         Industry and audience information about Stranger Things
·         The advantages of LFTVD and the Netflix model
·         Relate back to question


2

·         Industry and audience information about Deutschland 83
·         The older fashioned production process and its advantages
·         Relate back to question

3
·         Budgets and their effects on filming and production.
·         Compare cinematography, editing ,sound and mise-en-scene and discuss context
·         Relate back to question

4
·         Narrative  - ST
·         How the story works.
·         How it is typical of LFTVD
·         Relate to question


5.

·         Narrative – D83
·         How does the story affect the viewer and position the audience?
·         Relate to question
6.
·         Representation 1 – (I would do gender)
·         Comparison between D83 and ST
·         Add theory – Van Zoonen? 

7.
·         Representation 2 – (I would do military/government)
·         Comparison between D83 and ST
·         Add theory – look at audience and Hall.
·         Relate back to question


Conclusion
·         How have I answered the question?
·         make judgements and reach conclusions about the differences in realism of social, cultural and historical circumstances between the two set episodes.

Wednesday, December 9, 2020

The Guardian and Daily Mail audiovisual elements in websites

 Convergent links and audiovisual content

The Guardian

 https://www.theguardian.com/us-news/video/2020/oct/29/god-and-the-gop-will-conservative-evangelicals-stay-loyal-to-trump-video

Carefully selected editing

Use of language and how the Guardian selects and constructs values and ideologies.

Use of white Evangelists for eg

Very carefully constructed. 

Extreme stereotypes interviewed - white Evangelist preacher, reported by young Asian journalist. 

Daily Mail TV syndicated American platform

Almost represents Trump as a king, no editing, no cutting. He appears very presidential, flags, desks, chair he appears almost like royalty promoting himself, still bemoaning election. 

https://www.dailymail.co.uk/video/news/video-2302008/Video-Trump-says-Georgia-campaign-Senate-runoff.html


Monday, November 23, 2020

Radio Revision

 READ THROUGH THESE POINTS AND FIND EXAMPLES FROM THE LIST BELOW

  • processes of production, distribution and/ or circulation of PSB radio content in a national context
  •  role of the regulatory framework, including that of public service broadcasting remit 
  • significance of PSB broadcasting and longevity versus varied commercial stations which compete for audiences 
  • specific PSB requirements which impacts on the content of radio output
· impact of ‘new’ digital technology on the reach of radio shows and the way in which content can now be digitally distributed and circulated through an internationally recognised platform versus the competing methods of commercial radio stations. Responses should refer to The BBC Radio One Breakfast Show and might consider:
· how the structure of PSB institutions such as the BBC might influence the format and output of the show in terms of monetary budget and synergy across different platforms. Also, fulfilling its remit to inform, educate and entertain the public
· how the BBC is very much a national institution and the Breakfast Show has been a long-running success; a degree of nationalisation of BBC radio as being traditional and high quality across a diverse range of audiences (now several channels offering alternative breakfast show content) with an emphasis on attracting a key demographic to stay relevant
· the budget and reach of the show in terms of attracting famous stars to participate on the show to reach large national and international audiences (via podcasts/online) which can dwarf less successful commercial stations
· the choice of presenter to challenge adult audiences whilst attracting teens – possible reference to long term commitment of radio presenters
· the use of modern platforms to listen and stream content which (Long-tail) can amass a high number of diverse audiences, thus fulfilling their remit. The show has an array of social media presence to sustain and attract new audiences, e.g. YouTube; simulcasts of 1Xtra highlights
· reference to specific examples and excerpts from the radio show that they studied to support their points made with reference to the production values of the show.
· economic development of BBC as a leading media provider (nationally and internationally); how the radio show is ‘cutting edge’ in terms of the way it is produced show; how the ‘long-tail’ style reaches across multiple platforms
 · economic contrast between budgets of BBC Radio One Breakfast Show versus commercial radio institutions
· political context of radio production in terms of PSB expectations versus the niche/commercial nature of other radio programmes
· political pressure on the BBC to remain unbiased whilst also fulfilling their remit as a PSB during the construction and distribution of radio show content
· cultural significance of the BBC being a traditional and respected broadcaster with high production values that appeals to multigenerations of loyal audiences and fan-bases

· cultural importance of the BBC in attracting a range of talented performers and artists to cross promote economic interests of the BBC and fulfil cultural interests of diversity and popular culture.

https://www.telegraph.co.uk/news/2016/04/14/how-does-the-bbc-spend-its-5bn-in-licence-fee-money/

cute revision https://www.bbc.co.uk/bitesize/guides/z2s97hv/revision/3
  • music
  • news 
  • audience phone in
  • promotion
  • celebrity guest
  • audience games 


Egs

Thursday, November 5, 2020

Past Student websites

Good past student websites

Magazine websites

https://canvasentertainmen6.wixsite.com/mysite-canvas5

https://valenciamagazineuk.wixsite.com/mysite

https://athenamagazineuk.wixsite.com/mysite-1

www.femmemagazine.co.uk

Music video websites

https://savannawebsite.wixsite.com/mysite-1

www.faithofficial.wixsite.com/music

https://route66musicdj.wixsite.com/mysite

https://rosalamourmusic.wixsite.com/mysite-1

https://oluofficialuk.wixsite.com/oluofficial




Halfway Evaluations

Halfway evaluations are a really good way of looking at some of your work, finding out where you're going with it and giving you some feedback. We need to get a really good idea of what your final product is going to look like. 

For Wednesday 11th November please provide a presentation including the following:

Slides should include
  • What is your industry and brand and how does it fit together?
  • Genre - protest, doc, news (how are you going to fit the conventions)
  • 1 minute music video/doc/front covers and contents draft
  • Website
  • Audio visual idea
  • Social media
  • How are you going to target your audience?
  • What do you still need to do?
An explanation of your cross media branding and what you are still to include in your productions. Mrs Field and I will go through each of these one afternoon and be able to provide you with feedback.

Thursday, October 8, 2020

Advertising questions

For advertising, students could be asked to answer on a set advert, an unseen advert for a similar product, or a comparison of a set advert to an unseen advert for a similar product.  Questions on set adverts are likely to reproduce the advert in the paper. 

 

10 mark questions are likely to be AO1 (explain) questions so would focus on a set advert (as in the practice paper), and 15 mark questions are likely to be AO2 (analyse) questions so would be on an unseen advert either on its own (as in the 2019 paper) or compared to a set advert.

Monday, October 5, 2020

NEA this week commencing 5.10

Everyone set up a wix with your artist/mag/tv doc name

Using indesign https://drive.google.com/drive/search?q=indesign

Setting up a wix guide https://drive.google.com/drive/search?q=wix

TV Docs - Scripts finished, practise shots, filming

Music video - Lip syncs and practise shots

Magazines - Front cover and contents page layout 


Friday, September 18, 2020

Magazine Tips from OCR

How to use Adobe indesign 




Magazines as part of a cross-media brief: • layout • typography • use of language • use of images.

The research for the magazines set in Component 01, Section B could lead into the drafting of a layout for the front cover of a new magazine followed by a photography session, producing a set of marked up contact prints for the cover.


https://youtu.be/ElDOiblXFPw

https://youtu.be/8_TIRTqRr1A

https://youtu.be/5XD96iFyIXo

https://www.mediacollege.com/lighting/three-point/


Set up mini studio areas and take macro photos of the products. Control lighting and focus. Import photos into Photoshop. Demonstrate basic features of Photoshop (or any other image manipulation software you are using), making sure they understand layers, the magic wand, layer styles, text tool etc. Use the magic wand to cut accurately around the photo of the product (made easier because of the plain fabric background); source a suitable background image from the internet to add meaning to the product; devise a slogan or tagline and select an appropriate font (perhaps using www.Dafont.com or www.fontspace.com); experiment with adding shadow to the product or an effect to the text; try using the dropper tool to change the text colour to something cohesive with the images; experiment with the masking tool.

Draw up a rough layout first, then use Photoshop, InDesign etc. to create the cover digitally. Design a new masthead; consider carefully what the sell lines might be; take the cover photo(s) considering how the subject is represented (shot size and angle, lighting, facial expression, colour palette, make up, background, clothing etc. will all have an effect on how the figure is represented, anchored by the text) Remember to consider the price, to include a barcode, date and a web address. These activities may be published (physically or online) and submitted as a preliminary activity.

News revision

.